Events are invaluable to moving global health forward. They are opportunities to exchange insight, test out new ideas, and make connections.
All Dahdaleh Institute events are free and open to the public, unless otherwise noted.
127min | Dir. Martin Campbell | 2003
Watch Angelina Jolie save the children, save her man and harness her Girl Power™ in a film that might have asked interesting ethical questions but does a whole lot of other things instead.
This event is part of Projections: the good, the bad and the weird of global health films. To receive a reminder of this event, click here.
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Mark Terry, Post-Doctoral Fellow in Documentary Film & Global Health, will lead a seminar to introduce his research projects and speak to the role of documentary film in creating social change.
Mark has been producing film and television for the past 25 years. Working closely with the world’s scientific community in Antarctica and the Arctic earned him the recognition of the United Nations Framework Convention on Climate Change. His two films – The Antarctica Challenge: A Global Warning and The Polar Explorer – were made in partnership with UNEP and both premiered at the Climate Change Conferences in Copenhagen and Cancun. Together, both films have won 19 international film awards for excellence.
Read more about his projects, Documentary Film World, The Changing Face of Iceland, Youth Climate Report, and Ecological Footprint Health Indicators, which he works on with Planetary Health Research Fellow Byomkesh Talukder.
Designers are increasingly involved in the world of social good. Traditionally installed in commercial sectors, they are now collaborating with scientists, researchers and others non-designers with their own knowledge-base and processes. These interdisciplinary encounters are often new, exciting and challenging.
Drawing on her experiences of this phenomenon, and on the research behind her upcoming book Information Design for the Common Good, Courtney Marchese will lead a Lunch & Learn on interdisciplinary design collaboration in global health.
Courtney Marchese is a professional designer with over a decade of experience specializing in data visualizations, information graphics, UX design, and usability studies. She is also an Associate Professor of Graphic + Interactive Design, teaching a wide range of design theory, research, and technical skills at the undergraduate and graduate level.
Join the Dahdaleh Institute and Postdoc Mark Terry to celebrate the release of his new book, The Geo-Doc: Geomedia, Documentary Film, and Social Change.
Based on his PhD thesis, the book introduces the Geo-Doc as a new form of documentary film designed to maximize the influential power of the documentary film as an agent of social change.
Mark Terry is the Postdoctoral Fellow, Documentary Film & Global Health at the Dahdaleh Institute for Global Health Research, cross-appointed at the Faculties of Health and Environmental Studies at York University in Toronto. He has worked throughout the global Arctic serving as the Scientist-in-Residence on Adventure Canada’s circumnavigation of Iceland (2018), making the first documented film of a crossing of the Northwest Passage, The Polar Explorer (2011), and teaching at Arctic universities in St. Petersburg and Moscow, Russia. He has also worked in Antarctica with the British Antarctic Survey and the National Antarctic Scientific Center of Ukraine documenting this research in the film The Antarctica Challenge: A Global Warning (2009).
As a member of The Explorers Club, the Royal Canadian Geographical Society, the Canadian Council for Geographic Education, the Canadian Network for Environmental Education and Communication, the Royal Canadian Geographical Society, Mark teaches and speaks regularly about the environmental issues affecting the fragile eco-systems of the polar regions and, by extension, the world.
This book introduces a new form of documentary film: the Geo-Doc, designed to maximize the influential power of the documentary film as an agent of social change. By combining the proven methods and approaches as evidenced through historical, theoretical, digital, and ecocritical investigations with the unique affordances of Geographic Information System technology, a dynamic new documentary form emerges, one tested in the field with the United Nations. This book begins with an overview of the history of the documentary film with attention given to how it evolved as an instrument of social change. It examines theories surrounding mobilizing the documentary film as a communication tool between filmmakers and policymakers. Ecocinema and its semiotic storytelling techniques are also explored for their unique approaches in audience engagement. The proven methods identified throughout the book are combined with the spatial and temporal affordances provided by GIS technology to create the Geo-Doc, a new tool for the activist documentarian.